Premiere Pro renders and exports the item immediately. In the video settings, scroll down to bitrate settings. Once the Media Encoder is open, click the output file link in the queue to edit the settings. If you are using After Effects, go to Composition > Add to Adobe Media Encoder Queue. Adobe Media Encoder opens with the encoding job added to its queue. If you are using Premiere Pro, go to file > export media. Do one of the following: Click Send to Media Encoder.
QuickTime Timecode Tracks: QuickTime Timecode tracks are now honored and preserved during import and export.īurn-In Timecode on Export: Users can now select to include a “burn-in” window displaying timecode during export.Īddtional Media 100 Suite improvements include support for Apple’s new Final Cut Studio 3 release including improved Apple Color integration, support for 24-bit audio import, and the ability to output RP188 timecode with supported AJA video I/O cards. To customize the export options, click a heading (for example, Video, Audio) and specify the appropriate options. VoiceOver: The VoiceOver Tool leverages the new MulitClip architecture allowing for multiple takes nested inside a single audio clip in the timeline.Įxpanded 3rd Party Hardware Support: In addition to the entire KONA line from AJA, Media 100 Suite now supports the MXO2 line from Matrox, including support for their optional Matrox MAX H.264 encoder.Įxport to After Effects: XML files created using the “Export to After Effect” command are now recognized by Adobe After Effects CS4. MultiClip: Media 100 Suite’s new MultiClip Editing enables real-time editing of multiple video/audio sources in a single clip. Media 100 Suite v1 is available for download right now at:
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